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<channel>
	<title>Hana Kim</title>
	<link>https://hanaclaudiakim.com</link>
	<description>Hana Kim</description>
	<pubDate>Thu, 10 Apr 2025 22:30:56 +0000</pubDate>
	<generator>https://hanaclaudiakim.com</generator>
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		<title>Homepage</title>
				
		<link>https://hanaclaudiakim.com/Homepage</link>

		<pubDate>Wed, 05 Apr 2023 19:00:32 +0000</pubDate>

		<dc:creator>Hana Kim</dc:creator>

		<guid isPermaLink="true">https://hanaclaudiakim.com/Homepage</guid>

		<description>
	
	&#60;img width="3024" height="4032" width_o="3024" height_o="4032" data-src="https://freight.cargo.site/t/original/i/414a11230a0747a9386b092180d0b7fe104f0cdb2ccdd527f73bc0e8bd4fd6a8/IMG_8852.JPG" data-mid="229623914" border="0"  src="https://freight.cargo.site/w/1000/i/414a11230a0747a9386b092180d0b7fe104f0cdb2ccdd527f73bc0e8bd4fd6a8/IMG_8852.JPG" /&#62;&#60;img width="3024" height="4032" width_o="3024" height_o="4032" data-src="https://freight.cargo.site/t/original/i/58ff6c578a56c5c8098e8afe547ba7d5d2b955522578825e749e81d9819e9e40/IMG_1372.JPG" data-mid="229622621" border="0"  src="https://freight.cargo.site/w/1000/i/58ff6c578a56c5c8098e8afe547ba7d5d2b955522578825e749e81d9819e9e40/IMG_1372.JPG" /&#62;&#60;img width="3024" height="4032" width_o="3024" height_o="4032" data-src="https://freight.cargo.site/t/original/i/d40fb9824b3e0f46c518997a79df152bd244d6af8b8de22bf360d17c02f2abab/IMG_5022-copy.jpg" data-mid="174718415" border="0"  src="https://freight.cargo.site/w/1000/i/d40fb9824b3e0f46c518997a79df152bd244d6af8b8de22bf360d17c02f2abab/IMG_5022-copy.jpg" /&#62;
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	<item>
		<title>The People's Palace</title>
				
		<link>https://hanaclaudiakim.com/The-People-s-Palace</link>

		<pubDate>Thu, 06 Apr 2023 03:37:39 +0000</pubDate>

		<dc:creator>Hana Kim</dc:creator>

		<guid isPermaLink="true">https://hanaclaudiakim.com/The-People-s-Palace</guid>

		<description>


The People’s Palace
Harvard Graduate School of Design&#38;nbsp;
Cambridge, 2022
Instructor: Angela Pang

This project tests the architectural hypotheses about shared space, by  considering the most extreme public expression for a building: a people’s place. It proposes to provide a space of relief for everyone, acting like large living rooms for the inhabitants of the city, they combine elements of pleasure, education and distraction, as well as a space for the public to organise. The project imagines a catalytic insertion into Boston’s Charlestown neighborhood that serves a diverse array of consituencies. Charlestown is an old by splintered community, with an uncertain future in the face of creeping gentrification. 



To frame an alternative future for the urban fabric and city infrastructure, this project builds over and under, crossing past the site boundaries underneath the Tobian Memorial highway. Bridges and highways are structures that connect, but also reveal gaps. For this project, the abandoned underspaces and gaps of the city are explored in proposing a new “underpass” as the people’s palace. A new “underpass” that extends into the city on one side while dissolving into the highway on the other, bridging the gap between the scale of buildings of either side of the site.  Whole program blocks are fragmented into separate smaller volumes of spaces to create more intimate interactions through scale and courtyards. In this way, programs are housed in invididual volumes that allow for intentional interactions. The large roof deck acts as an intersecting plane that distinguishes programs. The dispersed spaces underneath the expansive roof dispersed area for the users of the elementary school, while the spaces above allows for more public uses. 




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&#60;img width="3024" height="4032" width_o="3024" height_o="4032" data-src="https://freight.cargo.site/t/original/i/b1a223eba38f2d8918d09218192b89f6e9640cd4eb93185e3de1f14361cc77cb/Collage-4-1.jpg" data-mid="174420403" border="0"  src="https://freight.cargo.site/w/1000/i/b1a223eba38f2d8918d09218192b89f6e9640cd4eb93185e3de1f14361cc77cb/Collage-4-1.jpg" /&#62;
&#60;img width="4032" height="3024" width_o="4032" height_o="3024" data-src="https://freight.cargo.site/t/original/i/ab53b1d552aeead2cb79d911416773bdb11b60e655151d75a2f9e7c4d14dcfa3/Collage-3-copy-1.jpg" data-mid="174420529" border="0"  src="https://freight.cargo.site/w/1000/i/ab53b1d552aeead2cb79d911416773bdb11b60e655151d75a2f9e7c4d14dcfa3/Collage-3-copy-1.jpg" /&#62;







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	<item>
		<title>Public Distillery</title>
				
		<link>https://hanaclaudiakim.com/Public-Distillery</link>

		<pubDate>Wed, 13 Mar 2024 22:07:27 +0000</pubDate>

		<dc:creator>Hana Kim</dc:creator>

		<guid isPermaLink="true">https://hanaclaudiakim.com/Public-Distillery</guid>

		<description>

Public Distillery
Harvard Graduate School of Design&#38;nbsp;
Cambridge, 2022
Instructor: Emmett Zeifman

An integral step in transitioning from design to building is the de-velopment of poché, which starts from drawn abstractions of thick-ness to become articulated as discrete parts. Architects design and build systemically through the summation and ordering of these elements. In a project’s early stages, poché is the gap between the formulation of ideas and their formal synthesis; in buildings, it is quite literally the cavity that holds architecture’s hidden elements. The conceptual drivers for what constitutes this thickened zone have varied throughout history. In the 15th century, shading poché rendered space; in the 19th century Beaux Arts school, watercol-or-filled contours signified material cuts and hidden service spaces; and in the 1970s, historian Alan Colquhoun described poché as architecture’s “secondary spaces.” These representational techniques evinced architecture’s physical, metaphysical, and virtual divides. 



As referred to by Mark Pimlott, “public interiors” are spatially contained environments which are experienced as belonging to the public sphere. In this project, poché is conceived of as the “third space”: a public interior. Public program becomes housed in between the walls of the distillery, absorbing the leftover spaces. Additionally, an insertion of a large, circular courtyard produces an open cavity for gathering and rest.  



&#60;img width="3840" height="4587" width_o="3840" height_o="4587" data-src="https://freight.cargo.site/t/original/i/40fa849086677e17b523faf5dbb39e3552bcabfca73e63cdbec5063139ea260e/627A1983.jpg" data-mid="206737846" border="0"  src="https://freight.cargo.site/w/1000/i/40fa849086677e17b523faf5dbb39e3552bcabfca73e63cdbec5063139ea260e/627A1983.jpg" /&#62;

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		<title>Seated or Not</title>
				
		<link>https://hanaclaudiakim.com/Seated-or-Not-1</link>

		<pubDate>Thu, 06 Apr 2023 04:31:25 +0000</pubDate>

		<dc:creator>Hana Kim</dc:creator>

		<guid isPermaLink="true">https://hanaclaudiakim.com/Seated-or-Not-1</guid>

		<description>

Seated or Not
Harvard Graduate School of Design&#38;nbsp;
Cambridge, 2022
Instructor: Jonathan Grinham&#38;nbsp;
Collaborators: Paris Bezanis, Nehemiah Ashford-Carroll, Yvonne Gu



A stool with a cantilevering seat designed to seem as though as made a continous strip of steel. The pieces are handmade with 1-inch L shaped steel tubes, designed with proportions in search for a sense of continuity and vulnerability.&#38;nbsp;

&#60;img width="3682" height="5523" width_o="3682" height_o="5523" data-src="https://freight.cargo.site/t/original/i/cc676024c404833bd6c5ab0cbf9e1d2266f922816490a7b1f8dc7a4c6a8f8097/_83A2952.jpg" data-mid="174421291" border="0"  src="https://freight.cargo.site/w/1000/i/cc676024c404833bd6c5ab0cbf9e1d2266f922816490a7b1f8dc7a4c6a8f8097/_83A2952.jpg" /&#62;

&#60;img width="4112" height="2741" width_o="4112" height_o="2741" data-src="https://freight.cargo.site/t/original/i/9a5140aec93b5170b59c807b94d56e35d542f670ef861a4ebdead676fa96c9fc/_83A2968.jpg" data-mid="174421700" border="0"  src="https://freight.cargo.site/w/1000/i/9a5140aec93b5170b59c807b94d56e35d542f670ef861a4ebdead676fa96c9fc/_83A2968.jpg" /&#62;&#60;img width="1024" height="663" width_o="1024" height_o="663" data-src="https://freight.cargo.site/t/original/i/cc46ee96de8f265dee4ab4c6b5f44699aee89271757745ad95ba77f812be4106/drawings_board-21024_1.jpg" data-mid="174421290" border="0"  src="https://freight.cargo.site/w/1000/i/cc46ee96de8f265dee4ab4c6b5f44699aee89271757745ad95ba77f812be4106/drawings_board-21024_1.jpg" /&#62;
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		<title>Fluid Places</title>
				
		<link>https://hanaclaudiakim.com/Fluid-Places</link>

		<pubDate>Thu, 06 Apr 2023 03:29:19 +0000</pubDate>

		<dc:creator>Hana Kim</dc:creator>

		<guid isPermaLink="true">https://hanaclaudiakim.com/Fluid-Places</guid>

		<description>
Fluid Places
Harvard Design Discovery 2019
Cambridge, 2019
Instructor: Joan Chen&#38;nbsp;

Inspired by Christo’s Floating Docks and tangram puzzles, this design intervention attempts to inspire play and increase human interaction with water and landscape. It includes a series of movable, modular docks that can be aggregated though a peg system and deployed along the Charles River. Through the deployment of docs along various sites, this project attempts to refram the narrative of place and improve connectivity of the Charles River to the urban city.



&#38;nbsp;
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</description>
		
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	<item>
		<title>Pillows Over Pools: Cooperative Housing for Gourmet Rest</title>
				
		<link>https://hanaclaudiakim.com/Pillows-Over-Pools-Cooperative-Housing-for-Gourmet-Rest</link>

		<pubDate>Sat, 13 May 2023 20:37:43 +0000</pubDate>

		<dc:creator>Hana Kim</dc:creator>

		<guid isPermaLink="true">https://hanaclaudiakim.com/Pillows-Over-Pools-Cooperative-Housing-for-Gourmet-Rest</guid>

		<description>
Pillows Over Pools: Cooperative Housing For Gourmet Rest
Harvard Graduate School of Design&#38;nbsp;
Cambridge, 2023
Instructor: Jenny French&#38;nbsp;
Collaborator: Ian Erickson&#38;nbsp;

The quality of our sleep and our relationship to the activity has fundamentally changed during modernization, however, the biological imperative to sleep remains. The rest and restoration of both the bodies and the buildings of an under-utilized office block in Chelsea, Massachussetts is the guiding concept for this energy cooperative housing project: c

ooperative housing for gourment rest. In pursuing an architecture of rest, we rethink how human bodies rest together in both new and old ways, reviving pre-modern forms of sleep and their attendant architectures and creature comforts alongside some new ones as well.  Similarly, we seek to rethink the comfort of buildings themselves, looking towards  the idea of building scale blankets, or “bed clothes for the building” that propose to swaddle structures with soft layers of insulation against the exterior climate, eliminating the need for mechanical conditioning and letting the buildings themselves drift off to sleep.  



We looked towards the site to see what existing conditions might get in our way, mapping the enemies of rest in the area: the big box mattress store, single family homes, hospitals and laundromats. Taking inspiration from Thomas Sheppey’s Book of Choice Recipies, a medical document from 1675 that wrote out recipes of sleep as antidotes for various ailments from insomnia to gout. So we, too, write a series of recipes to combat our enemies. We collect these antidotes and salves for a tired world in a menu of recipes for gourmet rest: 

 

- Big Bed

- Parking Bed

- Continous Bed

- Cabinet Bed

- Diurnal Bed

- Building Sleep 



Additionally, a laundry coop is inserted on the ground floor as the secondary commercial co-op to service our architecture of beds and textiles. The long history of laundry co-op as the largest, oldest, most commercially viable co-ops positions laundry as a kind of anchor tenant upon which other commerical programs rest. 



&#38;nbsp;











&#60;img width="1001" height="686" width_o="1001" height_o="686" data-src="https://freight.cargo.site/t/original/i/0cf99ae41be0de29fad7fe566a03af122f792ded65d02e0dab7be9ccae9d30b4/Capture-8.JPG" data-mid="178673872" border="0"  src="https://freight.cargo.site/w/1000/i/0cf99ae41be0de29fad7fe566a03af122f792ded65d02e0dab7be9ccae9d30b4/Capture-8.JPG" /&#62;
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&#60;img width="3556" height="2000" width_o="3556" height_o="2000" data-src="https://freight.cargo.site/t/original/i/9990bc83ce9c91c7d01ab02aaeefcf12590d57e5da5cf7b7aa5f56da9bf19c07/20230423_UNIT-RENDERINGS_CABINET-BED_6_edited.png" data-mid="178672528" border="0"  src="https://freight.cargo.site/w/1000/i/9990bc83ce9c91c7d01ab02aaeefcf12590d57e5da5cf7b7aa5f56da9bf19c07/20230423_UNIT-RENDERINGS_CABINET-BED_6_edited.png" /&#62;


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&#60;img width="3209" height="2548" width_o="3209" height_o="2548" data-src="https://freight.cargo.site/t/original/i/720200411285715ac5068abb92f2ca5c2d9e245bc78a4df75743838451019869/627A2299-2-copy.jpg" data-mid="178673035" border="0"  src="https://freight.cargo.site/w/1000/i/720200411285715ac5068abb92f2ca5c2d9e245bc78a4df75743838451019869/627A2299-2-copy.jpg" /&#62;

</description>
		
	</item>
		
		
	<item>
		<title>Festival of Flowers </title>
				
		<link>https://hanaclaudiakim.com/Festival-of-Flowers</link>

		<pubDate>Thu, 10 Apr 2025 19:14:58 +0000</pubDate>

		<dc:creator>Hana Kim</dc:creator>

		<guid isPermaLink="true">https://hanaclaudiakim.com/Festival-of-Flowers</guid>

		<description>
Festival of Flowers
Harvard Graduate School of Design&#38;nbsp;
Cambridge, 2024
Instructor: Camilo Restrepo Ochoa
Collaborator: Nicky Rhodes



Festival of Flowers is an architectural and cultural intervention centered around Medellín’s iconic annual flower festival, which celebrates the city’s floral industry and rich traditions. As Colombia’s second-largest export, flowers play a critical economic and cultural role—particularly in Medellín, the “City of Eternal Spring.” This project introduces a dynamic flower facility adjacent to the city’s parade route that serves as a year-round hub for floral cultivation, cultural exchange, and sustainable reuse of flower waste. By transforming a former tin factory into a multi-functional space with open greenhouses, workshops, lodging, and material research labs, the project bridges urban and rural communities while addressing challenges like displacement, gentrification, and post-festival waste. Repurposed materials and dried flowers are incorporated into architecture, creating a living archive that honors the labor of flower growers and the spirit of the festival, extending its impact well beyond its ephemeral celebration.


&#60;img width="6000" height="4000" width_o="6000" height_o="4000" data-src="https://freight.cargo.site/t/original/i/895062f4704d5b364f7f5d28c151831cba1593367ab3b7e778b358e006ab5aa6/DSC02686-1.JPG" data-mid="229614811" border="0"  src="https://freight.cargo.site/w/1000/i/895062f4704d5b364f7f5d28c151831cba1593367ab3b7e778b358e006ab5aa6/DSC02686-1.JPG" /&#62;

&#60;img width="1693" height="3600" width_o="1693" height_o="3600" data-src="https://freight.cargo.site/t/original/i/9656f7104ce9addea6410c6cfe0ca9714c1ccd0e2117f3abb68be882c7c32021/241210_Site-Plan_MID-RES_Proposed-05.png" data-mid="229620002" border="0"  src="https://freight.cargo.site/w/1000/i/9656f7104ce9addea6410c6cfe0ca9714c1ccd0e2117f3abb68be882c7c32021/241210_Site-Plan_MID-RES_Proposed-05.png" /&#62;

&#60;img width="3000" height="1687" width_o="3000" height_o="1687" data-src="https://freight.cargo.site/t/original/i/4caf34539a630d2a356269b4884b481de4fe660d72d1861ed05714c510a2e888/Approach-Cultural-Center.png" data-mid="229619830" border="0"  src="https://freight.cargo.site/w/1000/i/4caf34539a630d2a356269b4884b481de4fe660d72d1861ed05714c510a2e888/Approach-Cultural-Center.png" /&#62;
&#60;img width="2700" height="3600" width_o="2700" height_o="3600" data-src="https://freight.cargo.site/t/original/i/35d00ea65f76bd8bb760f733bf967a77413647e8a5e024e1ba59f4e162b31009/241210_Final-Review_Main---Plan---1.png" data-mid="229619886" border="0"  src="https://freight.cargo.site/w/1000/i/35d00ea65f76bd8bb760f733bf967a77413647e8a5e024e1ba59f4e162b31009/241210_Final-Review_Main---Plan---1.png" /&#62;
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&#60;img width="2000" height="1125" width_o="2000" height_o="1125" data-src="https://freight.cargo.site/t/original/i/44677cb770f3a5c8621aeff855aafde4b92f6269cbca02da06219e8570d0d102/Roof-Deck.png" data-mid="229619831" border="0"  src="https://freight.cargo.site/w/1000/i/44677cb770f3a5c8621aeff855aafde4b92f6269cbca02da06219e8570d0d102/Roof-Deck.png" /&#62;
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&#60;img width="2700" height="3600" width_o="2700" height_o="3600" data-src="https://freight.cargo.site/t/original/i/88febc9d20976498d07b716c9e06eb38acffd07df56a3dc426e59605e34fb557/241210_Final-Review_Factory---Plan---2.png" data-mid="229619887" border="0"  src="https://freight.cargo.site/w/1000/i/88febc9d20976498d07b716c9e06eb38acffd07df56a3dc426e59605e34fb557/241210_Final-Review_Factory---Plan---2.png" /&#62;
&#60;img width="6148" height="4402" width_o="6148" height_o="4402" data-src="https://freight.cargo.site/t/original/i/47d6f656a9175e6d39c83eacaac2d6a59f27f7bdb8c880ee95d045f0e75f5e2e/Family-Photo_Edit.jpg" data-mid="229619781" border="0"  src="https://freight.cargo.site/w/1000/i/47d6f656a9175e6d39c83eacaac2d6a59f27f7bdb8c880ee95d045f0e75f5e2e/Family-Photo_Edit.jpg" /&#62;



</description>
		
	</item>
		
		
	<item>
		<title>Assembly//Disassembly</title>
				
		<link>https://hanaclaudiakim.com/Assembly-Disassembly</link>

		<pubDate>Thu, 10 Apr 2025 22:30:56 +0000</pubDate>

		<dc:creator>Hana Kim</dc:creator>

		<guid isPermaLink="true">https://hanaclaudiakim.com/Assembly-Disassembly</guid>

		<description>
[Dis]assembly: “Editing for Elusive Details” 


Peterborough,
UK, 2024Liveden Residency

Collaborator: Honor Bishop






“Editing for Elusive Details” is a collaboration between Honor Bishop and Hana Kim. The project consists of a series of assembly/disassembly designs that repurpose Portland Stone offcuts from a nearby quarry/stone mason’s yard. The series of furniture pieces produced are, through the materials used, evocative of the highly specific/local and generic/industrial world within which we live. All pieces are crafted using threaded bar and bolts and discarded stone. The design questions expectations of weight and permanence associated with stone construction to encourage new ways of thinking through reusing waste and methods of construction.



&#60;img width="3024" height="4032" width_o="3024" height_o="4032" data-src="https://freight.cargo.site/t/original/i/185d21789558c20ff9485d0f86e4f77f38a3ef2a1bf754f47848bcd67188e83b/IMG_1544.JPG" data-mid="229623901" border="0"  src="https://freight.cargo.site/w/1000/i/185d21789558c20ff9485d0f86e4f77f38a3ef2a1bf754f47848bcd67188e83b/IMG_1544.JPG" /&#62;&#60;img width="3024" height="4032" width_o="3024" height_o="4032" data-src="https://freight.cargo.site/t/original/i/2157d0324fc7b8f20092b6f26c0b9c6b33c8ed150e542cdabe1805543c01b64c/IMG_0514.JPG" data-mid="229623434" border="0"  src="https://freight.cargo.site/w/1000/i/2157d0324fc7b8f20092b6f26c0b9c6b33c8ed150e542cdabe1805543c01b64c/IMG_0514.JPG" /&#62;&#60;img width="3024" height="4032" width_o="3024" height_o="4032" data-src="https://freight.cargo.site/t/original/i/519e6359fe485ed3245bdcdf315677835c3e0223c37d472e85dc0271209a1d57/IMG_0833.JPG" data-mid="229623900" border="0"  src="https://freight.cargo.site/w/1000/i/519e6359fe485ed3245bdcdf315677835c3e0223c37d472e85dc0271209a1d57/IMG_0833.JPG" /&#62;&#60;img width="3024" height="4032" width_o="3024" height_o="4032" data-src="https://freight.cargo.site/t/original/i/c1f4b277d5fe504edd2336ace56f457ca27caabb710822ca4c9e5afdce4d8a2a/IMG_1374-copy.JPG" data-mid="229623467" border="0"  src="https://freight.cargo.site/w/1000/i/c1f4b277d5fe504edd2336ace56f457ca27caabb710822ca4c9e5afdce4d8a2a/IMG_1374-copy.JPG" /&#62;

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	<item>
		<title>Nav</title>
				
		<link>https://hanaclaudiakim.com/Nav</link>

		<pubDate>Wed, 05 Apr 2023 19:00:32 +0000</pubDate>

		<dc:creator>Hana Kim</dc:creator>

		<guid isPermaLink="true">https://hanaclaudiakim.com/Nav</guid>

		<description>
	
	
	
	
The People’s Palace

Living Single, Living Together




Ordinary, Except



Seated or Not

Low Res High Res




Fluid Places






InformationJournal</description>
		
	</item>
		
		
	<item>
		<title>Information</title>
				
		<link>https://hanaclaudiakim.com/Information</link>

		<pubDate>Wed, 05 Apr 2023 19:00:32 +0000</pubDate>

		<dc:creator>Hana Kim</dc:creator>

		<guid isPermaLink="true">https://hanaclaudiakim.com/Information</guid>

		<description>

My studies in education called my attention to 
















‘architecture as pedagogy,’ a belief that we learn
from buildings. In underlying educational
philosophies, such as Reggio Emilia or Waldorf, the physical environment is viewed
as a 'third teacher.’ Seeing the built environment through the lens of education has fuelled my architectural interests. We can learn from buildings as we learn to build them.

Some of my design project deals with the task of adaptive reuse, contemplating on buildings within a longer time frame. Other projects focus on texture and materiality, creating designs that evoke our senses and draw our attention to the ordinary. Along the way I have developed an attentiveness to making malleable spaces that we can learn from.I am currently a Master of Architecture candidate at the Harvard Graduate School of Design and hold a B.A from Ryerson University where I majored in early childhood education. 
CV and PDF portfolio available upon requesthanaclaudiakim@gmail.com+1 617 894 4515


︎


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